I have gone out, a possessed witch, haunting the black air, braver at night; dreaming evil, I have done my hitch over the plain houses, light by light: lonely thing, twelve-fingered, out of mind. A woman like that is not a woman, quite. I have been her kind.
I have found the warm caves in the woods, filled them with skillets, carvings, shelves, closets, silks, innumerable goods; fixed the suppers for the worms and the elves: whining, rearranging the disaligned. A woman like that is misunderstood. I have been her kind.
I have ridden in your cart, driver, waved my nude arms at villages going by, learning the last bright routes, survivor where your flames still bite my thigh and my ribs crack where your wheels wind. A woman like that is not ashamed to die. I have been her kind.
"Not gonna lie; I kind of keep expecting you to post one day that you threw down on someone who clearly had no idea that today was NOT THEIR DAY." ~dontcallmeshirley
For the first time, on the road north of Tampico, I felt the life sliding out of me, a drum in the desert, harder and harder to hear. I was seven, I lay in the car watching palm trees swirl a sickening pattern past the glass. My stomach was a melon split wide inside my skin.
"How do you know if you are going to die?" I begged my mother. We had been traveling for days. With strange confidence she answered, "When you can no longer make a fist."
Years later I smile to think of that journey, the borders we must cross separately, stamped with our unanswerable woes. I who did not die, who am still living, still lying in the backseat behind all my questions, clenching and opening one small hand.
No movement, not a stir In the trees, the pass between the houses, but A woman in torn jeans walking Down the white line of the pathway; Her two girls in green uniforms dashing into the blackberry bushes Centipedes between their teeth, A thousand legs of conversation..
Glaring at her from beneath their eyebrows When they return, becoming sullen: “Shut up mother, We are gelling our hair, painting our lips.” Smell of moss and cobwebs that will never wash off.
This is it then – Two girls bloomed into two self-conscious women, Two mountain ewes with long lashes Tossing their heads, disappearing down the pathway All their kisses waiting – Their mother’s face turned purple, Like a wine glass tilted to catch the lamplight Swollen with the berries swilling in her cheeks, Dribbling from her chin.
A student theme, scratched and scarred with red hieroglyphs— sounds inflicted with strokes quick, decisive. A penciled grade in clear bold red to summarize the mutilation. Pencil with soul of wood, hasty arbiter in scarlet, the racked butterflies of truth and beauty must smile at your presumption. Your brave clarity belies the myriad doubts and scruples of the hand that guides… and grades.
"This prick is asking for someone here to bring him to task Somebody give me some dirt on this vacuous mass so we can at last unmask him I'll pull the trigger on it, someone load the gun and cock it While we were all watching, he got Washington in his pocket."
You get a poem about baking (sort of) because of your cookies.
The Poet's Occasional Alternative
I was going to write a poem I made a pie instead it took about the same amount of time of course the pie was a final draft a poem would have had some distance to go days and weeks and much crumpled paper
the pie already had a talking tumbling audience among small trucks and a fire engine on the kitchen floor
everybody will like this pie it will have apples and cranberries dried apricots in it many friends will say why in the world did you make only one
this does not happen with poems
because of unreportable sadnesses I decided to settle this morning for a re- sponsive eatership I do not want to wait a week a year a generation for the right consumer to come along
"twerking" made me think of the confident sass of this poem for you.
‘Still I Rise’ by Maya Angelou
You may write me down in history With your bitter, twisted lies, You may trod me in the very dirt But still, like dust, I’ll rise.
Does my sassiness upset you? Why are you beset with gloom? ‘Cause I walk like I’ve got oil wells Pumping in my living room.
Just like moons and like suns, With the certainty of tides, Just like hopes springing high, Still I’ll rise.
Did you want to see me broken? Bowed head and lowered eyes? Shoulders falling down like teardrops. Weakened by my soulful cries.
Does my haughtiness offend you? Don’t you take it awful hard ‘Cause I laugh like I’ve got gold mines Diggin’ in my own back yard.
You may shoot me with your words, You may cut me with your eyes, You may kill me with your hatefulness, But still, like air, I’ll rise.
Does my sexiness upset you? Does it come as a surprise That I dance like I’ve got diamonds At the meeting of my thighs?
Out of the huts of history’s shame I rise Up from a past that’s rooted in pain I rise I’m a black ocean, leaping and wide, Welling and swelling I bear in the tide. Leaving behind nights of terror and fear I rise Into a daybreak that’s wondrously clear I rise Bringing the gifts that my ancestors gave, I am the dream and the hope of the slave. I rise I rise I rise.
ETA: Well, shit. I thought I was getting a poem written personally for me.
You get a beautiful poem of love and remembrance.
If You Forget Me
I want you to know one thing.
You know how this is: if I look at the crystal moon, at the red branch of the slow autumn at my window, if I touch near the fire the impalpable ash or the wrinkled body of the log, everything carries me to you, as if everything that exists, aromas, light, metals, were little boats that sail toward those isles of yours that wait for me.
Well, now, if little by little you stop loving me I shall stop loving you little by little.
If suddenly you forget me do not look for me, for I shall already have forgotten you.
If you think it long and mad, the wind of banners that passes through my life, and you decide to leave me at the shore of the heart where I have roots, remember that on that day, at that hour, I shall lift my arms and my roots will set off to seek another land.
But if each day, each hour, you feel that you are destined for me with implacable sweetness, if each day a flower climbs up to your lips to seek me, ah my love, ah my own, in me all that fire is repeated, in me nothing is extinguished or forgotten, my love feeds on your love, beloved, and as long as you live it will be in your arms without leaving mine.
"This prick is asking for someone here to bring him to task Somebody give me some dirt on this vacuous mass so we can at last unmask him I'll pull the trigger on it, someone load the gun and cock it While we were all watching, he got Washington in his pocket."
"Not gonna lie; I kind of keep expecting you to post one day that you threw down on someone who clearly had no idea that today was NOT THEIR DAY." ~dontcallmeshirley
I don't know any poems about knitting, but I know this one about a quilt by Marilyn Nelson Waniak.
My sister and I were in love with Meema’s Indian blanket. We fell asleep under army green issued to Daddy by Supply. When Meema came to live with us she brought her medicines, her cane, and the blanket I found on my sister’s bed the last time I visited her. I remembered how I’d planned to inherit that blanket, how we used to wrap ourselves at play in its folds and be chieftains and princesses.
Now I’ve found a quilt I’d like to die under; Six Van Dyke brown squares, two white ones, and one square the yellowbrown of Mama’s cheeks. Each square holds a sweet gum leaf whose fingers I imagine would caress me into the silence.
I think I’d have good dreams for a hundred years under this quilt, as Meema must have, under her blanket, dreamed she was a girl again in Kentucky among her yellow sisters, their grandfather’s white family nodding at them when they met. When their father came home from his store they cranked up the pianola and all of the beautiful sisters giggled and danced. She must have dreamed about Mama when the dancing was over: a lanky girl trailing after her father through his Oklahoma field.
Perhaps under this quilt I’d dream of myself, of my childhood of miracles, of my father’s burnt umber pride, my mother’s ochre gentleness. Within the dream of myself perhaps I’d meet my son or my other child, as yet unconceived. I’d call it The Century Quilt, after its pattern of leaves.
You are somewhere cold right now.... Minnesota? You can relate to this playful poem.
March 1st by Kathleen Spivack
Coming out of the house on a fresh March morning, I saw February still meandering around like laundry caught in a Bendix. Stray shreds of cloud, like pillow slips, were rent from her large endlessness. Outdated, her decrepit body garlanded itself disgracefully with powder. She luxuriated in old age. Even her graying sheets were still there, tattered, heaped carelessly on the street, bearing the indentation of someone’s huge body and furred with a fine fringe of soot. She had been plump, she had been heavy, sitting on top of us since January. Winter, you old clothes hamper, what mildew still molders inside you before March dribbles a bit, dries up, and is done for?
An extra one to hand out, but it is too long to copy. For @helenabonhamcarter who likes history and knows about Russia. Written by the Poetess herself, Anna Akhmatova.