This is a big issue for me as a person working in arts education. And stats on minority representation are even worse. I want diversity and access to fine arts education to be my primary research focus if I get into the doctoral program I applied for. There's a lot of focus on this for STEM education (rightfully so) and I would like there to be focus on Art as well.
Every single one of my grad school professors was a white male. There's a lot of the good old boys club in the industry that trickles back to who knew who in film school, who went to what film school, etc. In an industry that's all about who you know, I want those school networks to become more diverse.
I think that the Bechdel Test is as illuminating as it is, says so much about gender and film.
The Bechdel Test, sometimes called the Mo Movie Measure or Bechdel Rule is a simple test which names the following three criteria: (1) it has to have at least two women in it, who (2) who talk to each other, about (3) something besides a man. The test was popularized by Alison Bechdel's comic Dykes to Watch Out For, in a 1985 strip called The Rule. For a nice video introduction to the subject please check out The Bechdel Test for Women in Movies on feministfrequency.com.
I think that the Bechdel Test is as illuminating as it is, says so much about gender and film.
The Bechdel Test, sometimes called the Mo Movie Measure or Bechdel Rule is a simple test which names the following three criteria: (1) it has to have at least two women in it, who (2) who talk to each other, about (3) something besides a man. The test was popularized by Alison Bechdel's comic Dykes to Watch Out For, in a 1985 strip called The Rule. For a nice video introduction to the subject please check out The Bechdel Test for Women in Movies on feministfrequency.com.
This isn't surprising since men are usually seen as the all encompassing, universal character; they seem to be more relatable to a wider range of an audience. Not that I think that is true but perceptions. And historically they've always been able to DO things - more things than women - such as acting. So its no surprise that this is still ingrained in society, despite it being disheartening and upsetting.
I think that the Bechdel Test is as illuminating as it is, says so much about gender and film.
The Bechdel Test, sometimes called the Mo Movie Measure or Bechdel Rule is a simple test which names the following three criteria: (1) it has to have at least two women in it, who (2) who talk to each other, about (3) something besides a man. The test was popularized by Alison Bechdel's comic Dykes to Watch Out For, in a 1985 strip called The Rule. For a nice video introduction to the subject please check out The Bechdel Test for Women in Movies on feministfrequency.com.
That seems SUCH A LOW STANDARD, and yet so so so many movies don't pass it.
I scanned the list on the website and how did "The Single Moms Club" only pass one out of the three? I barely see any movies these days, but I don't understand how that is possible when the description of the movie says several moms formed a support group.
I think that the Bechdel Test is as illuminating as it is, says so much about gender and film.
That seems SUCH A LOW STANDARD, and yet so so so many movies don't pass it.
I scanned the list on the website and how did "The Single Moms Club" only pass one out of the three? I barely see any movies these days, but I don't understand how that is possible when the description of the movie says several moms formed a support group.
They probably spend the entire moving bitching about exes & boyfriends. Though I'm pretty sure it passed 2 of 3.
I scanned the list on the website and how did "The Single Moms Club" only pass one out of the three? I barely see any movies these days, but I don't understand how that is possible when the description of the movie says several moms formed a support group.
They probably spend the entire moving bitching about exes & boyfriends. Though I'm pretty sure it passed 2 of 3.
Wow. It boggles my mind that there could be that many women in a movie and not accidentally have them talk about something other than a man.
The Bechdel test is only a start, though. I mean, American Hustle only passed because there's a four second conversation between two women about nail polish. That's it. But it's a pretty good indicator that a film has serious problems if it *doesn't* pass such a low bar (with exceptions for certain films like Gravity, which only has two characters to begin with).
I think that the Bechdel Test is as illuminating as it is, says so much about gender and film.
The Bechdel Test, sometimes called the Mo Movie Measure or Bechdel Rule is a simple test which names the following three criteria: (1) it has to have at least two women in it, who (2) who talk to each other, about (3) something besides a man. The test was popularized by Alison Bechdel's comic Dykes to Watch Out For, in a 1985 strip called The Rule. For a nice video introduction to the subject please check out The Bechdel Test for Women in Movies on feministfrequency.com.
That seems SUCH A LOW STANDARD, and yet so so so many movies don't pass it.
And what's weird is that movies that don't seem overtly sexist don't pass it. Or they pass it for eyeroll-y reasons (the nail polish conversation in American Hustle).
I remember there was a bit of scandal around The Lego Movie, and whether it passed the test... because even though Wyld Style was an awesome female character, and Wonder Woman was in there too, whether it passed hinged on whether UnaKitty:
I remember there was a bit of scandal around The Lego Movie, and whether it passed the test... because even though Wyld Style was an awesome female character, and Wonder Woman was in there too, whether it passed hinged on whether UnaKitty:
counted as a woman.
Unikitty is the best. I think she counts as a woman.