Post by Jalapeñomel on Jul 13, 2023 18:01:12 GMT -5
Content creators on SM are sending out videos for others that dream of transitioning into singing, acting, directing, etc not to cross the picket lines, even if they think “it’s their big break”.
Post by karinothing on Jul 14, 2023 6:22:28 GMT -5
It doesn't seem like either union is calling for a boycott of films/streaming. It seems they want to show a high demand and have studios run out of content.
It doesn't seem like either union is calling for a boycott of films/streaming. It seems they want to show a high demand and have studios run out of content.
I mean, residuals are a huge part of their income. I would imagine they still want us to see the movies etc so they get paid while they aren’t getting main paychecks. But I could be wrong!
It doesn't seem like either union is calling for a boycott of films/streaming. It seems they want to show a high demand and have studios run out of content.
I mean, residuals are a huge part of their income. I would imagine they still want us to see the movies etc so they get paid while they aren’t getting main paychecks. But I could be wrong!
I *think* part of the issue is that they aren’t being fairly paid residuals. So if we watch a streaming only show, they aren’t getting the residual money they should be getting if their show was a traditional show.
It doesn't seem like either union is calling for a boycott of films/streaming. It seems they want to show a high demand and have studios run out of content.
Yeah. I arrived at letting it settle in before I decide. But I am leaning strongly toward no. Something will come out from the unions, likely including mine, suggest support actions. And I feel that will happen before I’m set to make a decision about things.
I mean, residuals are a huge part of their income. I would imagine they still want us to see the movies etc so they get paid while they aren’t getting main paychecks. But I could be wrong!
I *think* part of the issue is that they aren’t being fairly paid residuals. So if we watch a streaming only show, they aren’t getting the residual money they should be getting if their show was a traditional show.
Yes this is a big part of it. It's also about concern over AI deepfakes and actors likeness being used from their past works without consent, knowledge or pay.
I guess if they aren’t asking for it, and whatever residuals they do get are all they have to survive on right now, I don’t know why we would boycott.
Oh I don’t think it necessary to boycott watching the shows, I just saying that the residuals are part of the issue so even if they’re getting some residuals from streaming shows, it isn’t much (it also takes a while for residuals to be paid out, so they’re not likely to see them any time soon).
Post by Velar Fricative on Jul 14, 2023 8:38:05 GMT -5
I was listening to a Daily episode a while back about the writer's strike, and the other issue (that I'm assuming is also impacting the actors) is that streaming seasons are far shorter than regular seasons on TV/cable used to be (or are). So not only are residuals less, but there are fewer opportunities for residuals because writers and actors aren't working on shows that last, say, more than 10 episodes a season.
I haven't read enough about this but the whole use of AI is what stuck out to me the most. I love to see unions pushing back and fighting for workers' rights.
This supports the crews and below the line staff that are out of work.
While the AI issue is important and getting the most press-the biggest point on contention, and the thing the AMTMP is most scared of-is the WGA is pushing to release viewership for streaming content and basing fee structure on those numbers.
In terrestrial television, ratings are public, and it's relatively easy to find out what networks are charging for ad buys. You also know how much they have charged for syndication rights. So going into negotiations, you knew what your product was worth. Now with streaming, the companies do not release numbers at all. And they are terrified about the prospect of having to release that information, both because they will have to pay certain people more, and it will affect their stock prices.
There's a bunch of other demands too, about minimum number of writers per project, minimum number of weeks per project, restrictions on the numbers of "writer-producers", etc.
I haven't read enough about this but the whole use of AI is what stuck out to me the most. I love to see unions pushing back and fighting for workers' rights.
The lawsuit with Sarah Silverman could make a huge impact.
I do not have a source to link, but “Under the Desk News” on TT reported that the strike extends to all paid work in acting and and writing - any/all content & platforms. It is a-okay to pay and attend movie showings and encouraged to support local theaters.
I do not have a source to link, but “Under the Desk News” on TT reported that the strike extends to all paid work in acting and and writing - any/all content & platforms. It is a-okay to pay and attend movie showings and encouraged to support local theaters.
The last time the writers and the Screen Actors Guild, the precursor of SAG-AFTRA, were on strike at the same time was 1960 — so long ago that Ronald Reagan was the SAG president leading that strike.
Post by basilosaurus on Jul 18, 2023 3:11:49 GMT -5
I have a question. I know a fair number of shows and movies are filmed in Canada (BC mostly I believe) with American actors and crew. This was an issue at the beginning of the pandemic due to the closed border. Will the strike affect that? Or will studios go there, use local talent, and subvert the strikes? That wouldn't be a long term solution, but I can see them wanting to drag it out, hoping to outlast the will of the artists.
I have a question. I know a fair number of shows and movies are filmed in Canada (BC mostly I believe) with American actors and crew. This was an issue at the beginning of the pandemic due to the closed border. Will the strike affect that? Or will studios go there, use local talent, and subvert the strikes? That wouldn't be a long term solution, but I can see them wanting to drag it out, hoping to outlast the will of the artists.
They will likely grant waivers for Canadian-based projects that are not targeted at a US audience, and for Indies. They aren't going to grant waivers for And Just Like That to go film there.